Vivid Blending Watercolor
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Workshop Prep
Before the workshop begins please prepare the following:
Pencil drawing on 100% cotton watercolor paper
feel free to use a light box or transfer paper
your painting should 8x8in or similar size
Have your space set up for painting
don’t forget extra paper for testing colors
a hair dryer will be helpful
Make sure you can view the Zoom screen and be able to see your reference photo.
note: This image has been enhanced so the drawing is more visible
reference photo
Vivid Colors
Creating vivid works of art starts with your palette!
select high chroma colors
look for single pigment colors
fluorescent colors are not light fast
how do your color mix?
transitional hues in a blend
mixing on the palette
glazing
how do your colors behave?
how far do they disperse?
which colors dominate a mix?
notice any granulating and opaque colors
which colors create interesting watercolor effects?
Get to know your palette by testing out your colors. Use the same kind of paper as your class project.
Wet-on-wet
wet on wet start
creating a cohesive wash that transitions between the lightest values of green and red.
green gold on the tips
quin red + transparent pyrrole orange
ultramarine blue and quin red at the bottom
more green gold to “push” the red out of the tips
let dry
“Untangling” wet on wet
adding structure and deepening color
wet on wet one section at a time
defining each “fin” with adding deeper color in adjacent areas
be sure you are working with bright middle tones
Background
a flat wash background with dark value under our subject
mix background color: quin red + ultramarine
wet background area with large brush
apply color
drop dark color: payne’s grey
leave it alone!
Softening
Softening refers to spreading out paint with a clean damp brush to create a soft transition.
apply color
swish your brush clean
tap on paper towel to remove some moisture
use damp brush to spread out mixture
swish and tap brush clean as needed
Tips
avoid flooding the area with too much water - remember to tap
try pushing and pulling the color out
a light edge is fine
let things dry
DON’T GET TOO FUSSY
Middle Values
creating soft transitions to build middle tones and to layer dark values on top of
quin red + green gold
quin red + ultramarine
green gold + cobalt teal
Dark Values
adding depth and structure with the darkest tones
quin red + transparent pyrrole orange + ultramarine
adding payne’s grey in select areas
Feedback
Did you enjoy the workshop? I’d love to hear what worked for you and what I can improve. Let me know what other kinds of workshops you would be interested in!